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Beginning in the early 1990s, Randall is a satirical alternative
history of the heady years of Cool Britannia and the emergence of
the Young British Artists. It asks what would have happened if
Damien Hirst had never arrived? If someone else had become the most
notorious and influential young British artist? And what if that
someone had been more talented, more provocative, more outrageous?
And far, far funnier?
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